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Rollkur Raises Its Head Again
March 12, 2010
by John Strassburger
The pun of my headline isn’t accidental, since the point of rollkur, or hyperflexion, is to keep the horse’s head down—way down, with his neck severely bent and his chin to his chest. But the dressage sensation of rollkur did get its head out of its chest last month, when the Federation Equestre Internationale held a round-table conference on the subject.

The amusing part of that conference was the press release FEI officials released after it was over, with the headline proclaiming,  “FEI Round Table Conference Resolves Rollkur Controversy.” Yeah, sure, it’s all taken care of now. Couldn’t possibly be any more problems.

I wrote a blog back on Nov. 25 about a Swedish rider named Patrick Kittel, who was caught on videotape drilling his horse in rollkur in the warm-up ring at a World Cup qualifier for two hours, unceasingly, with his chin tucked to his chest and his tongue hanging out. I suspect it was this incident that prompted the round table that’s “resolved” the situation.

Rollkur was developed by some German and Dutch dressage trainers and riders as a means to do two things. First, they were looking for a way to control the high-powered, extremely sensitive horses they’d selected as their international mounts, and they discovered that if they rode them with their chins on their chests, they couldn’t do things like buck, rear and bolt. Second, some, like World Champion and Olympic champion Anky van Grunsven, discovered that she could also use rollkur as a sort of extreme stretching and strengthening exercise, an exercise that, she claims, increases the athletic achievement of her horses. She says that it stretches her horses’ back and neck muscles, increasing their strength, and, thus, increasing their ability to extend and collect.

So, since Anky and others began winning everything, naturally other riders began to copy them. The trick is that Anky is uniquely gifted, and somehow, she can show her horses with their heads, usually, at or in front of the vertical, as they should be. But most others cannot achieve that, causing a glut of horses showing behind the bit. Even worse, far less able riders have used the technique to be able to physically and mentally control high-powered horses they shouldn’t be riding, often with frightening results in training and competition.

Some horsemen have claimed that rollkur has physical side effects, that the hyperflexion blocks the horse’s airway and that it causes lameness in the back and hind limbs. So far, no scientific evidence has proven this, although rollkur often looks extremely strenuous and uncomfortable. (Certainly Kittel’s horse looks strained and highly uncomfortable!)

Classically oriented trainers have decried that rollkur’s just not right, that it goes against the credo of “calm, forward and straight” and that the horse’s head should never fall behind the vertical. They cry that it’s improper, cruel, and a case of training a horse for competition only, not to be a better riding horse (which is supposed to be the purpose of dressage).
 
I think the situation boils down to exactly that: What is the purpose of dressage? And that’s why I think the headline’s suggestion that the controversy has been “resolved” is so laughable.

Rollkur, and riders’ use of it, is symptomatic of a larger dressage conflict, of which van Grunsven rides smack in the middle. Her two superstars, Bonfire and Salinero, could extend and collect like no other horse. Their extended trots and canters, as well as their tempi changes, showed tremendous range in the shoulder and knee, and their piaffe and passage showed elevation rarely seen before. But it’s not harmonious. It’s a lot of Herculean effort (by van Grunsven and her horses). Watching one of their tests is like watching the floor exercise in women’s gymnastics, in which the gymnasts do some obligatory poses between the huge tumbling runs they perform on a diagonal across the mat. Salinero also won’t stand for the halt/salute—and yet he gets good marks for it, even though the directions on the test sheet say, “immobility.”

I’ve often compared Salinero to his former competitor, the wonderful mare Brentina and American Debbie McDonald. The hallmark of their work was harmony. Sure, Brentina couldn’t extend as breathtakingly as Salinero, but Debbie never seemed to move. She seemed to just think, “piaffe,” “passage” or “tempi changes,” and Brentina did it. And she stood like a rock for the halts.
 
Brentina always looked like a horse you’d want to ride. Salinero has always looked like a horse you wouldn’t want to ride.

So rollkur has swirled around this unresolved—and largely undiscussed— conflict. Meanwhile, this latest conference has concluded, “that asking a horse to maintain any head/neck position for too long a period is not advisable. During the warm-up it is both necessary and beneficial to change the head/neck position periodically and not to ride the horse all the time in the position required by the competition rules.”

FEI officials have thus given responsibility for enforcing this decision to the stewards in the warm-up rings, to whom FEI officials promise to give new guidelines. I feel sorry for these stewards. Wouldn’t you like to be the steward at a World Cup qualifier or at the Alltech FEI World Equestrian Games who gets to warn Anky (or someone else) or give them a yellow card for using rollkur?

To me the solution is to task the judges with discouraging rollkur and to encourage the proper training of dressage horses. Give them a mandate to not reward horses who are behind the bit, especially horses who are dramatically overflexed in the test. It’s a simple equation: Riders (in any discipline) ride and train the way that wins. Horses trained with rollkur—and who have extravagant movement but are lacking in other qualities dressage is meant to foster—are winning right now. Change that, and the improper use of the technique (which is really the problem) will go away.
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How Should a Stallion Prove Himself?
March 5, 2010
by John Strassburger
It’s now the time of year when mare owners are foaling out their mares (or preparing to do it) and choosing a stallion to sire next year’s foal. We have no pregnant mares this year (and aren’t likely to have any in the near future), but I do miss the sight of them waddling across the field with their distended bellies and the anticipation of seeing the foals’ adorable little faces push into the world.

We had three mares foal last spring, so we now have three yearlings (a gelding and two fillies) of our own, plus two other yearlings that board with us. We also own a 2-year-old gelding (named Ionto) we bred, and we have two three-year-old fillies (named Sparrow and Amani) we bred, both of whom will begin real work in a month.

These six youngsters are by four stallions, four stallions of different breeds who are in very different stages of their breeding careers. Those stallions’ careers are indicative of the challenge in the sporthorse-breeding world of certifying stallions for breeding.

In the Thoroughbred racing world, this decision is very straightforward and relatively simple: Fast colts get to breed, and if they produce more fast horses, they become highly desirable, valuable and influential. If they don’t produce, well, people stop sending their mares—and some become sporthorse sires. We have a 12-year-old gelding by Class Secret (a son of Secretariat) who produced some good steeplechasers and a lot of good show hunters and jumpers before he died.

Full siblings Sparrow and Ionto are by the Thoroughbred Reputed Testamony, whom Denny Emerson owned and stood. “Rep” was a stakes winner who failed to produce precocious speedsters and wasn’t a fashionable racehorse sire before Denny bought him. He too has now produced numerous successful event horses and show hunters, but he died a couple of years ago too.

Class Secret and Reputed Testamony are examples of the challenge sporthorse stallion owners face: They have to market the stallions based on pedigree, performance, test scores or color to get mares, because by the time their get are old enough to show their ability to pass on performance characteristics, they’ll likely be dead. We picked Secret and Rep because we knew them, because we knew the people who owned them, and because we knew what exceptional individuals they were, both physically and mentally.

Amani is by Formula One, Denny’s Irish Sporthorse stallion. Denny has promoted and marketed “Farley” more aggressively and cleverly than he did Rep, and Amani is from his second crop. “Farley,” who’s now competing at preliminary level in eventing, has definitely thrown a bunch of fantastic-looking and -moving individuals—and Amani is one. I tell people that Amani is the horse you could spend your life breeding for, and I can’t wait to ride her. But it will be another year or three before we see if Farley’s foals will perform as well as they look, and by then he’ll be 11.

Our yearling filly, Bella, is by the very successful pinto show hunter Palladio. We’ve never seen him in person (he stands in Washington), although his owner sends a very long video of him that allows you to get to know him pretty well. We chose him because of his obvious jumping ability, his clearly workmanlike temperament, and (honestly) because of his color. We hoped for a pinto foal, which Bella is, because we thought it would be more marketable. Now we’re likely to keep her since her dam, our wonderful Thoroughbred mare Lizzie, colicked and died two weeks after Bella was born.

OK, so Rep and Secret are gone, and Farley and Palladio look likely to be successful stallions since they’re competing well and throwing get that are attractive and look athletic. The sire of our other two yearlings, though, epitomizes the frustration of dealing with breed associations that require approval.

Panzyr was a California-bred warmblood stallion, with mostly Hanoverian blood but eligible for the Oldenburg registry. As a 2-year-old he jumped out of his own paddock and into the mares’ field to breed a maiden Hanoverian mare (by Pik Solo). And then he jumped out of the mares’ field and back into his own paddock. Later that summer, while turned out with the mares that were all supposed to be pregnant (to learn his manners around mares), one of them slipped her foal and came into season, and Panzyr also obligingly bred her. The results of those two matings are the yearlings we now have.

I first met Panzyr late in his 2-year-old year. He was tied to a trailer in my driveway, and I had no idea he was a stallion as I rode and led horses past him. That’s how relaxed and mature he was. Then, last summer, when he was 3, we had him in training for almost four months, preparing him for an Oldenburg inspection in August. He was already started under saddle, and I concentrated on getting him fit on our hills, on basic flatwork and basic work over fences. We also practiced with him in hand and on free-jumping. He did it all fantastically. In fact, he never really felt like a baby, never gave me that feeling of riding a flat-bottomed barge down a rushing river that most babies do for awhile. And his jumping—holy cow, could he leave the ground and use his neck and his back. His whole attitude was of a willing, generous and athletically blessed horse.

When Panzyr’s owner (who also bred him) had taken him to a pre-inspection at 2, the inspectors had told her that he had a common head and was too old-fashioned looking. So our focus was to try to make his performance so outstanding that they couldn’t turn him down. Well, unfortunately, that didn’t happen. We weren’t there, but his owner said he just wasn’t himself, that he wasn’t moving with his usual gusto and that he jumped almost like he didn’t care. He didn’t pass, and, devastated, his owner gelded him that week, as there isn’t a second chance in warmblood inspections.

We were as devastated as she was, because we considered Panzyr the type of stallion vital to the U.S. market—a horse with top-notch athletic ability and a top-notch brain. And in one day, because a couple of guys from Germany said so, he was lost to the genetic pool. To us, it raised a question we’d (along with others) pondered for years: How should breeding stallions be selected, chosen or certified?

Should type or pedigree be most important? Recall that as a 2-year-old Panzyr had been called old-fashioned. That’s because the breed association inspectors are pushing for stallions of a more Thoroughbred-looking type and who have the exaggerated knee movement that’s become so (erroneously) popular in dressage today. They’re trying to push away from the kind, big warmbloods that people could ride (and enjoy), to more fiery types that most Americans, frankly, can’t ride.

Shouldn’t performance and temperament count more? Performance certainly counts most in Thoroughbred and Quarter Horse racing. But the big problem with relying primarily on performance in sporthorse breeding is the time lag I mentioned above. If a stallion is 10 (or older) before he can reach a performance standard, that’s seven years down the breeding drain. But surely something could be done for a horse like Panzyr, to allow him to prove himself in the ring and offer contingent approval until then?

Yes, breed association leaders will argue that without approval qualifications, anybody with a colt (of whatever breed we’re talking about) could stand a stallion and potentially dilute (or pollute) the gene pool. They fear stallions would become like mares—where everyone who has one that goes lame or won’t perform thinks it would be a great idea to breed them.

Still, I really don’t think that a few European dudes should be allowed to select stallions for the American market, for our base of Thoroughbred mares and for our riders who (especially in the dressage and hunter/jumper worlds) are primarily amateur women of limited experience and ability? Shouldn’t American breeders and trainers be approving the stallions to stand here?

(If you want to see photos of Sparrow, Amani or Panzyr, go to my blog of July 20, 2009.)



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